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Salvador Dali

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Dalí was a versatile artist, not limiting himself only to painting in his artistic endeavors. Some of his more popular artistic works are sculptures and other objects, and he is also noted for his contributions to theatre, fashion, and photography, among other areas.

Two of the most popular objects of the surrealist movement were the Lobster Telephone and the Mae West Lips Sofa, completed by Dalí in 1936 and 1937, respectively. The Scottish patron Edward James commissioned both of these pieces from Dalí; James, an eccentric who had inherited a large English estate when he was five, was one of the foremost supporters of the surrealists in the 1930s. "Lobsters and telephones had strong sexual connotations for [Dalí]" according to the display caption for the Lobster Telephone at the Tate Gallery, "and he drew a close analogy between food and sex." The telephone was functional, and James purchased four of them from Dalí to replace the phones in his retreat home. One now appears at the Tate Gallery; the second can be found at the German Telephone Museum in Frankfurt; the third belongs to the Edward James Foundation; and the fourth is at the National Gallery of Australia.

The wood and satin Mae West Lips Sofa was shaped after the lips of actress Mae West, whom Dalí apparently found fascinating. West was previously the subject of Dalí's 1935 painting The Face of Mae West. The Mae West Lips Sofa currently resides at the Brighton and Hove Museum in England.

During the years between 1941 and 1970 Dalí was also responsible for creating a striking ensemble of jewels, 39 in total. The jewels created are intricate and some contain actual moving parts. The most famous jewel created by Dalí is "The Royal Heart". This particular jewel is crafted using gold and is encrusted with forty-six rubies, forty-two diamonds and four emeralds. This remarkable piece of art is highlighted by the fact that the jewel is created in such a way that the center "beats" much like a real heart and making the viewing of this jewel quite the experience. Dalí himself commented that "Without an audience, without the presence of spectators, these jewels would not fulfill the function for which they came into being. The viewer, then, is the ultimate artist." (Dalí, 1959.) The Dali —Joies (The Jewels of Dali) collection can be seen at the Dali Theater Museum in Figueres, Catalonia, Spain, where it is on permanent exhibition.

In theatre, Dalí is remembered for constructing the scenery for García Lorca's 1927 romantic play Mariana Pineda. For Bacchanale (1939), a ballet based on and set to the music of Richard Wagner's 1845 opera Tannhäuser, Dalí provided both the set design and the libretto. Bacchanale was followed by set designs for Labyrinth in 1941 and The Three-Cornered Hat in 1949.

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